By me. Published on June 16, 2017, The Hindu Thread.
Much of film criticism about roles written for women in Tamil films revolves around the weakness of their characters and their purpose in the narrative. While this is warranted in most cases, it is unfair to the few strong characters who are meted out greater injustice. Automatically dismissing heroines in Tamil cinema as token adornment is to be blind to the rise of a new crop of brave women who have a crusade of their own.
In this essay, I write about Malarvizhi of Bairavaa (2017), Kadambari of Naanum Rowdy Thaan (2015), Leela of Acham Yenbadhu Madamaiyada (2016) and other female protagonists and their crusades.